"Faber's writing is so dizzyingly accomplished that he is able to
convince you that, just sometimes, the old stories really are the
best ones."
"Nothing could have prepared [Faber's] readers for the sweep and
subtlety of The Crimson Petal and the White. . . . Faber's is an
immensely difficult project, and to carry it off he returns to the
self-conscious reforming zeal, the bracing ethical assurance, the
heartbreaking generosity and the sly rhetorical tricks of the great
Victorian novelist."
"The Crimson Petal and the White is a marvel, an engaging whale of
a novel."
"The Crimson Petal and the White [is] a book so vigorous and
preternaturally delightful that a stylish brio enlivens even its
weather reports. . . . A big, sexy, bravura novel that is destined
to be surpassingly popular . . . wildly entertaining." -- Janet
Maslin
"The Crimson Petal and the White [is] a burgeoning, buxom,
neo-Victorian literary bodice-ripper about a prostitute in 1870s
London. . . . Faber, a scholar of nineteenth-century culture and
literature, shows his debt to Dickens, Balzac, and Stendhal. . . .
Faber's tour de force is an enormously readable saga . . . stuffed
with vivid characters. . . . The Crimson Petal and the White is
escapist literature in the best sense."
"The Crimson Petal and the White, Michel Faber's bulging, bawdy
Victorian epic, is a gloves-off kind of novel, one not to be passed
along lightly to your grandmother. Cocky and brilliant, amused and
angry, the author is rightfully earning comparisons to observer
extraordinaire Charles Dickens."
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