Lively, absorbing, often outrageously funny, Chaucer’s The Canterbury Tales is a work of genius, an undisputed classic that has held a special appeal for each generation of readers. The Tales gathers twenty-nine of literature’s most enduring (and endearing) characters in a vivid group portrait that captures the full spectrum of medieval society, from the exalted Knight to the humble Plowman. This new edition includes a comprehensive introduction that summarizes some of the most important historical events and movements that defined the world of Chaucer and his pilgrims; two additional tales (Reeve’s and Shipman’s); introductions for each tale designed to prepare the reader for a better understanding and enjoyment of the tale; newly written and conveniently placed explanatory notes; and a new, more easily understood system for learning to pronounce Chaucerian Middle English.
About the Author
Geoffrey Chaucer was born in London about 1340, the son of a well-to-do and well-connected wine merchant. In 1360, after his capture while fighting in the French wars, Edward III paid his ransom, and later Chaucer married Philippa de Roet, a maid of honor to the queen and sister-in-law to John of Gaunt, Chaucer's patron.Chaucer's oeuvre is commonly divided into three periods: the French (to 1372), consisting of such works as a translation of the Roman de la Rose and The Book of the Duchess; the Italian (1372-1385), including The House of Fame, The Parliament of Fowls and Troilus and Criseyde; and the English (1385-1400), culminating in THE CANTEBURY TALES. In 1400, he died, leaving 24 of the apparently 120 tales he had planned for his final masterpiece. Chaucer became the first of England's great men to be buried in the Poet's Corner of Westminster Abbey. Peter G. Beidler is the Lucy G. Moses Distinguished Professor of English at Lehigh University. He is the author of a dozen books and more than 150 articles. In the summer of 2005 he directed a seminar for high school teachers on Chaucer's Canterbury Comedies (the seminar was supported by the National Endowment for the Humanities). He and his wife Anne have four children.
Lively, absorbing, often outrageously funny, Chaucer's The Canterbury Tales is a work of genius, an undisputed classic that has held a special appeal for each generation of readers. The Tales gathers twenty-nine of literature's most enduring (and endearing) characters in a vivid group portrait that captures the full spectrum of medieval society, from the exalted Knight to the humble Plowman. This new edition includes a comprehensive introduction that summarizes some of the most important historical events and movements that defined the world of Chaucer and his pilgrims; two additional tales (Reeve's and Shipman's); introductions for each tale designed to prepare the reader for a better understanding and enjoyment of the tale; newly written and conveniently placed explanatory notes; and a new, more easily understood system for learning to pronounce Chaucerian Middle English.
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Reviews
– Customer review on 10/02/2007
A classic in every sense of the word. Geoff is a very funny man and the tales told here are amusing, sad, lewd and bawdy. If I'm being honest - which I am - it isn't an easy read, infact at times it's relatively hard going. If you can stick with it then you will be rewarded for your endeavour.
Within a narrative about a visit to Canterbury, Chaucer tells the "tales" mostly written in verse. The general prologue to the tales, explains how Chaucer found himself, one day in the company of a group of pilgrims, riding from London to Canterbury. As they set out from their inn their host the innkeeper suggest that as they travel each pilgrim tell two tales. On their return to London, the teller of the best story wins a meal, paid for by all the rest.
Chaucer's most celebrated work was never completed, and modern versions of it are the work of scholars, who have attempted to piece together its various completed parts. In truth this version isn't the best and if you are seriously considereing buying a copy I'd seek out the Oxford University Press version edited by F.N. Robinson.
The Canterbury Tales is Geoffrey Chaucer's collection of stories, with the device used being a group of pilgrims telling each other tales as they journey towards Canterbury. The group of travellers include men and women of different types and different occupations, so produces quite a few amusing and interesting moments throughout.
Pardoner’s Tale: This tale is a tale that made me think quite a bit. The theme of the tale is about repenting sins and the Pardoner creates this sense of horror for the travellers he’s telling the story to. The horror is if you don’t repent your sins to the pardoner then you will suffer some sort of mishap. Chaucer makes the narrator in the story important by making the character unimportant. The three rioters in the story are anonymous hoodlums and the narrator gives them no distinctive characteristics. This style is very different from the description of the WOB and the carpenter from the Miller’s Tale. The only distinction the Pardoner makes between the rioters is that one is younger. The rioters characteristics are uniformly negative, they’re greedy, murderers, drunks, this gives the Pardoner the opportunity to condemn a variety of sins. This tale makes me think of how we are as a society and the beliefs we believe in. It makes you question how the Christian religion works and how many religions facilitate actions and beliefs in our society. This tale is basically trying to scare people in repenting – that is the Pardoner’s purpose.
I remember slogging through The Canterbury Tales in Middle English when I was in high school and although the language is beautiful, having to take time to decipher it all did diminish somewhat the enjoyment of a terrific collection of stories. Since most of us are more comfortable with modern English, a good translation makes all the difference, and Nevill Coghill's excellent translation does full version to Chaucer's book. Reading this version takes the work out of it and makes "The Canterbury Tales" a pure pleasure. Chaucer writes about everyman and his stories represent one of the motliest crews in English literature: the Wife of Bath who has put away five husbands and is looking for a sixth; the pardoner, the reeve, the clerk, the knight, and a host of others from all walks of life. There is something in here for everyone; my three favorite stories are the Pardoner's Tale; the Miller's Tale (reading this in Coghill's translation, I could see why it has been excised from the bowdlerized versions used in high school English classes; it's rude, crude and downright lewd, but it's so hysterical they had to sew my sides up again when I finally stopped laughing), and the Franklin's tale of the knight, the squire and the magician who outdo each other in chivalry. Antisemitism was commonplace in medieval Europe and Chaucer is no more free of it than anyone else of his time; but to say that The Canterbury Tales is not worth reading because Chaucer was true to his time is overstatement. One must accept that Chaucer was as human and imperfect as most of his peers; without compromising the fact that Chaucer was a literary genius who had a profound effect on English language and English literature.
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