Robert B. Pippin is Evelyn Stefansson Nef Distinguished Service Professor in the John U. Nef Committee on Social Thought, the Department of Philosophy, and the College, at the University of Chicago, USA. He is the author, most recently, of Hollywood Westerns and American Myth: The Importance of Howard Hawks and John Ford for Political Philosophy.
In Fatalism in American Film Noir, Robert Pippin examines popular
movies from a philosophical perspective and does not treat them
merely as an illustration of ideas but as a way of putting the
ideas to the test of concrete cinematic experience. He looks at
them thoughtfully and sensitively both as an inquisitive
philosopher and as an attentive film critic. An original and
illuminating contribution to both philosophy and film
studies.--Gilberto Perez, Sarah Lawrence College, author of The
Material Ghost: Films and Their Medium
Like tragic figures, the heroes of noir are, or seem, doomed from
the start. Pippin... calls into question this accepted view through
analyses of three films.... Pippin demonstrates that, far from
affirming fatalism, many noir films problematize the view that
modern life is lived under the sign of doom. He argues that the
very uncertainty of the human condition is the subject of film
noir: is an individual's conduct freely chosen or determined by
forces he or she does not understand? The three chosen films
answer: Maybe we're free. Maybe we're not. Radical uncertainty is
where these films take readers and mostly leave them. Pippin's
analyses are thoughtful, detailed (even intricate), and
challenging.-- "CHOICE"
Robert Pippin has done it again. Hot on the heels of his
award-winning book about Westerns, this study of film noir tells
the other side of the story, the bleaker, more pessimistic side of
the great age of American cinema. Seamlessly blending philosophy,
history, and film analysis, it convincingly and powerfully suggests
that the crucial function of film noir is to offer a worked-out
picture of what life would look like were we to suspect that our
most important decisions carry no real weight. With this stunning
achievement, Pippin has reconfirmed his position as one of the most
important critics of film writing today.--Joshua Landy, Stanford
University, coeditor The Re-Enchantment of the World: Secular Magic
in a Rational Age
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