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Reviews

Simon, the Edgar Award-winning author of Homicide (which also served as the inspiration for the popular TV series of the same name) teams up with a retired cop in this account of life in a drug-soaked neighborhood.

Praise for The Corner
"The Corner is an intimate, intense dispatch from the broken heart of urban America. It is impossible to read these pages and not feel stunned at the high price, in human potential, in thwarted aspirations, that simple survival on the streets of West Baltimore demands of its citizens. An important document, as devastating as it is lucid."
--Richard Price, author of Clockers
"The Corner is a remarkable book--very tough, very demanding, very rewarding. Some of it is brutal and all of it is heartbreaking. As a reporter, I can only stand back and admire David Simon and Edward Burns for an amazing piece of reportage. To be there for an entire year, to make sense of random events and a list of characters long enough to make Charles Dickens envious, and to write coherently--it's a breathtaking achievement. And they manage to make West Baltimore as much a character as any of the flesh-and-blood people in the book."
--Glenn Frankel, author of Beyond th

In the authors' note, Simon (Homicide) and Burns, a retired patrolman and detective with the Baltimore Police Department, encapsulate their year-long (1992-1993) experience on a West Baltimore street corner interviewing drug addicts and watching children grow up too fast. They masterfully present a theater of the drug war as they follow four generations of the McCullough family, concentrating on 15-year-old DeAndre, who attempts to rise above the mistakes of his heroin- and cocaine-addicted parents but fails to escape the pressures of the street. Yet his story allows exploration of other issues, such as the history of the corner's drug activities and the attitudes of the police, the social workers and the high-school teachers who have all but lost hope for the area's children. Part family neighborhood portrait, part political-social analysis, the book conveys the feeling of helplessness of those who awake every morning thinking only of their "next blast" and the arrogance of those who condemn them for it. The loss of innocence chronicled here is summed up by a line from one of DeAndre's poems: "Hungry for knowledge, but afraid to eat." Photos not seen by PW. (Sept.)